Summary
of
Expertise
| General - Fluent in ALL
forms of Audio, Video and Multimedia work - Live/Recorded,
Studio/Location, Production/Post, Analog/Digital; capable in ALL
situations - Commercial/Longform,
Budget/Premium, Scripted/Impromptu, Autonomous/Directed. Mastery in
troubleshooting and consulting. | |
| Software - Comfortable-through-Master
skill level with ALL major NLE, DAW, 2D/3D Bitmap
& Vector Graphics, CGI/Modeling/Rendering/Animation,
Compositing/Rotoscoping,
MM/Interactive Authoring & Burning, Conversion/Compression,
Sequencing/Notation, and many CAD/Project Mgmt, Office/Database,
Server, Internet, Publication/Layout apps; some Coding/Development apps. | |
| Hardware - ALL
major Mikes, Mixers, Cameras, Recorders; and most A/V editing,
switching/routing, encoding, syncing and monitoring systems;
teleprompter and captioning systems; lighting systems. |
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Work
experience

|
Cornucopia Digital Media (Freelance) | Urbana, IL |
Producer/Engineer
|
|
Self-Produced
CDs for Chapel
of St. John the
Divine, 1996-2005. |
|
|
Production/recording/editing of multimedia projects for Buzard Organ Co., BlueBassoon, Softchalk Learning. |
| The Prairie Production Group and Freelance | |
Audio
Engineer/Producer
|
|
Director of audio department. Boom; field recording on multiple formats; editing, mixing, mastering and sound design; PA support; ADR/Foley; conforming, conversion and compression; voicing and scripting. |
Multimedia
Engineer/Producer
|
|
Producing/authoring/engineering for multimedia productions. Acquisition, editing, conversion/compression, authoring, menu creation, programming, pre-mastering, graphic design, burning and printing; supervision of replication outsourcing. Utilizing Laserdisc/CD-ROM/ECD/(S)VCD/DVD hard formats and streaming Web/Flash/Director/IShell soft formats. |
Associate
Videographer/Producer
|
|
Videographer, camera and tape operator; teleprompting; logging, digitizing, editing, animating/compositing; font/logo design and conversion; multiplatform transfers and encoding; scan/paint/illustration; scan-conversion; titling, closed-caption scripting and transcription. |
Computer
Systems Support Technician
|
|
Design specification/acquisition/implementation/administration of cross-platform LANs, servers and workstations; designing/programming/support of workgroup relational project database, web sites, project budget templates, sales collateral and scriptwriting templates; hardware/software tech support; miscellaneous programming and systems maintenance. |
|
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Clients include: State Farm, McGraw?Hill, University of Illinois, Millikin University, Carle Foundation, Provena Hospitals, SCVB, Ruhl Forensic, USArmyCERL, Human Kinetics, DOW/Corning, Procter & Gamble, NCSA, Wolfram Research, ISA, FASS, Artlook, Volition, News-Gazette, Tridan, Scitec, IVCF, Nucor Steel, Meridian Education, Global Information Systems and Baxley Media. |
|
|
AWARDS: (Individual) 2004 Black International Cinema Berlin Film Awards-Honorable Mention 'The Blue Bracelet'(editing); 2004 Governor's Tourism Award-Best Interacitve CDROM(midmarket); 1996 CHAAMP Award-Best :30 TVcommercial under $1000 (Self-produced/engineered) Many others won in collaboration. |
| |
Multimedia
Specialist
|
|
High-end
DVD Authoring; CD-ROM Authoring and
Programming; CD autorun
design; Enhanced CD creation and formatting; Video editing and 2D
Graphic Effects Compositing; Web & Multimedia Conversion and
Compression.
Credits include: Unified Pictures, Hudson Music, Frank
Films ( |
| |
Sound
Recording Engineer / Videographer
|
|
Live and studio recording of recitals and concert performances using full range of miking techniques; Overseeing all phases of recording/editing/mixing/automation/duplication and archiving. Credits include: UI Jazz Bands, Symphonic Band, Illini Symphony, University Chorus, Sinfonia da Camera, Krannert Center, New Music Ensemble, Russian Folk Orchestra, Black Chorus, ?The Other Guys?, numerous diverse solo and ensemble guest, faculty and student recitals. |
| |
Video
Duplication Operator
|
|
Setup/operation of head end equipment for multi-format video transfer and mass duplication. Assembly editing; manipulating SMPTE timecode; dailies transfer; orchestrating multiple job workflow with computerized router; quality control; finishing and packaging; library management and inventory housekeeping. Clients include J.C.Penney, M-USA, American Airlines, NASA, Hill?s Pet Products, GTE, American Heart Association, Micrografx, Texas Scottish Rite Hospital and Lyons Partnership. |
| Austin, TX |
Software
and Network Support
|
|
Maintaining LANs and WANs for multi-facility company; supervising hardware and P.O.S. software upgrades, housekeeping and maintenance; programming and training of systems; managing personnel and operations. |
| Austin, TX |
Sound
Recording and Reinforcement
Engineer
|
|
Live and studio recording of diverse recitals and concert performances using full range of miking techniques. Overseeing all phases of recording/editing/mixing/automation/duplication and archiving; sound design and FX creation; on-line tape operation and archival video recording. Credits include: Austin Symphony Orchestra, La Boheme, Performing Arts Center, Early and New Music Ensembles, Twyla Tharp, Ballet Austin, Al Inkishafi and numerous solo and ensemble recitals from entire spectrum of instruments and musical styles. |
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|
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Near Miss (2007), Blue Bassoon Pictures. Sound/Rerecording. |
|
| Merry Christmas (2006), Blue Bassoon Pictures. Sound/Rerecording/ADR/Foley/FX Design/Audio Editing. |
|
|
The
Blue Bracelet (2004), Marsha
Terry. Editing & Sound. |
|
|
Thank
You (2001),
Unified Pictures. Editing & Sound. |
|
|
Dogs
in
Quicksand (1999),
Just Do It Films. Audio FX & Supplemental Audio Editing. |
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Education
| Austin, TX |
Bachelor
of Science Degree in
Radio-TV-Film
|
|
Concentration in multitrack and stereo/binaural recording. |
|
|
Supplementary
emphases on Film Animation, Videodisc and Computer Technologies and
Electrical Engineering. |
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Designing technology for 2D-compatible consumer still/video digital stereoscopic (3D) camera systems. Patent currently being applied for. |
|
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Developing Methods and Formats for Digital Production, Storage and Editing of Stereoscopic (3D) video, including creation of self-contained, backwards-compatible file structures. |
|
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Designing and construction of versatile production-ready twin camera mount for Stereoscopic (3D) video recording. |
|
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Designing technology for backwards-compatible consumer stereoscopic (3D), multiformat DVD player systems. Patent currently being applied for. |
|
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Developing theories and designing proprietary DSP techniques for refurbishing/rejuvenating classic soundtracks. Currently re-mixing end scenes from 'The Big Sleep', d. Howard Hawks-1946. |
|
| Developing and designing techniques for implementation of sound 'fonts' and dialect 'dictionaries' for use in singing and speaking computers. |
|
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Design and production of AUDITION© software for graphical, real-time computer control of imaging and localization of Digital Audio Workstations. For binaural/3D audio simulations, effects and format transcoding. |
|
| Research of speaker psychoacoustics and design of zoning techniques for truer spatial reproduction. |
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|
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Expert
witness regarding audio quality and restoration (1999), |
|
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Musically literate; Instruments: Voice, Guitar, and Trombone. |
|
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Basic understanding of German, and novice understanding of French and Spanish languages sufficient for foreign language audio editing. |
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Roger
Francisco, C.A.S.![---------<<<<[[[[|||]]]]>>>>--------](media/bullet_spacer1.gif)
